There’s no Business like Show Business

Veteran performer and choreographer Tina Paul dispels myths and delivers the inside scoop about achieving your dream of dancing on Broadway. Tommy Tune, Chita Rivera, Bebe Neuwirth, and eleven other dancers join Tina in sharing their diverse experiences to help you make the right choices, avoid embarrassing mistakes, and prepare for the challenges that lead to a Broadway career. All of them agree—they love theatre and that love got them over many hurdles. Through tips on survival, discipline, and protocol, these professionals offer encouragement, bolster determination, and guarantee that you will be one step ahead in your quest for the lights and life of Broadway. 

A Theatre Guide from First Meeting to Final Performance

The Stage Manager’s Toolkit provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices. The book outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. The book identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered in order to ensure success. 

New features to this edition include:

      • updated paperwork samples;
      • expanded discussion of verbal and nonverbal communication practices;
      • additional information on digital communication tools
      • further detail on the role of the ASM;
      • a new chapter on stage management training.

Show me Your Best Jazz Hands

The history of jazz dance is best understood by thinking of it as a tree. The roots of jazz dance are African. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. From the vernacular have grown many and varied branches, including tap, Broadway, funk, hip-hop, Afro-Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and more. Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the numerous histories of jazz dance and examine various aspects of the field, including influences, training, race, aesthetics, international appeal, and its relationship to tap, rock, indie, black concert dance, and Latin dance.