{"id":1865,"date":"2011-09-11T20:56:57","date_gmt":"2011-09-12T01:56:57","guid":{"rendered":"<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td valign=\"top\" width=\"158\">\r\n<p align=\"center\"><a href=\"http:\/\/www.telegraph.co.uk\/culture\/art\/architecture\/8602611\/Peter-Zumthors-Serpentine-Gallery-Pavilion-2011-review.html\" target=\"_"},"modified":"2012-09-09T22:19:29","modified_gmt":"2012-09-10T03:19:29","slug":"art-from-blurred-boundaries-image-guide","status":"publish","type":"page","link":"https:\/\/blogs.acu.edu\/cornerstonef13\/art-from-blurred-boundaries-image-guide\/","title":{"rendered":"Art from Blurred Boundaries &#8211; Image Guide"},"content":{"rendered":"<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"158\">\n<p align=\"center\"><a href=\"http:\/\/www.telegraph.co.uk\/culture\/art\/architecture\/8602611\/Peter-Zumthors-Serpentine-Gallery-Pavilion-2011-review.html\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1866\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/zumthor.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.telegraph.co.uk\/culture\/art\/architecture\/8602611\/Peter-Zumthors-Serpentine-Gallery-Pavilion-2011-review.html\" target=\"_blank\">Serpentine Gallery Installation Peter Zumthor (2011)<\/a><\/p>\n<\/td>\n<td valign=\"top\" width=\"161\">\n<p align=\"center\"><a href=\"http:\/\/mv.vatican.va\/3_EN\/pages\/CSN\/CSN_Volta.html\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1867\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/sistine.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/mv.vatican.va\/3_EN\/pages\/CSN\/CSN_Volta.html\" target=\"_blank\">Sistine Chapel Celing<br \/>\nMichaelangelo (1512)<\/a><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"158\">\n<p style=\"text-align: center\"><a href=\"http:\/\/www.martinries.com\/article1991CA.htm\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1871\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/firebricks.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.martinries.com\/article1991CA.htm\" target=\"_blank\">Firebricks<br \/>\nCarl Andre (1978)<\/a><\/p>\n<\/td>\n<td style=\"text-align: center\"><a href=\"http:\/\/www.damonart.com\/myth_uncanny.html\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1872\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/whiteread.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.damonart.com\/myth_uncanny.html\" target=\"_blank\">House<br \/>\nRachel Whiteread (1993)<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\" valign=\"top\" width=\"158\"><a href=\"http:\/\/www.whitecube.com\/artists\/hirst\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1875\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/hirst.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.whitecube.com\/artists\/hirst\/\" target=\"_blank\">The Prodigal Son<br \/>\nDamien Hirst (1994)<\/a><\/td>\n<td valign=\"top\" width=\"161\">\n<p style=\"text-align: center\"><a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2011\/jul\/14\/jake-or-dinos-chapman-review\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1874\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/chapman.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2011\/jul\/14\/jake-or-dinos-chapman-review\" target=\"_blank\">CFC76311561<br \/>\nJake and Dinos Chapman (2002)<\/a><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\" valign=\"top\" width=\"158\"><a href=\"http:\/\/www.baeditions.com\/john-baldessari-artwork.htm\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1877\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/baldesari.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.baeditions.com\/john-baldessari-artwork.htm\" target=\"_blank\">Stonehenge (with Two Persons)<br \/>\nBlue<br \/>\nJohn Baldessari (2005)<\/a><\/td>\n<td style=\"text-align: center\" valign=\"top\" width=\"161\"><a href=\"http:\/\/www.mariangoodman.com\/artists\/niele-toroni\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1878\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/toroni.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a> <a href=\"http:\/\/www.mariangoodman.com\/artists\/niele-toroni\/\" target=\"_blank\">Marks from a No. 50 brush<br \/>\nat regular intervals of 30 cm<br \/>\nNiele Toroni (2006)<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\" valign=\"top\" width=\"158\"><strong><a href=\"http:\/\/www.spaniermanmodern.com\/inventory\/F\/John-Ferren\/John-Ferren_BIO.htm\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1888\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/ferren.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.spaniermanmodern.com\/inventory\/F\/John-Ferren\/John-Ferren_BIO.htm\" target=\"_blank\">Untitled<br \/>\nJohn Ferren (1958)<\/a><\/strong><\/td>\n<td style=\"text-align: center\" valign=\"top\" width=\"161\"><a href=\"http:\/\/www.saatchi-gallery.co.uk\/aipe\/sensation_royal_academy.htm\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1889\" src=\"http:\/\/blogs.acu.edu\/cornerstonef13\/files\/2011\/09\/sensation.png\" alt=\"\" width=\"200\" height=\"150\" \/><\/a><a href=\"http:\/\/www.saatchi-gallery.co.uk\/aipe\/sensation_royal_academy.htm\" target=\"_blank\">Poster for Royal Gallery of Art Exhibit<br \/>\nSensation (1997)<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Serpentine Gallery Installation Peter Zumthor (2011) Sistine Chapel Celing Michaelangelo (1512) Firebricks Carl Andre (1978) House Rachel Whiteread (1993) The Prodigal Son Damien Hirst (1994) CFC76311561 Jake and Dinos Chapman (2002) Stonehenge (with Two Persons) Blue John Baldessari (2005) Marks from a No. 50 brush at regular intervals of 30 cm Niele Toroni (2006) Untitled [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1865","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P3T2tB-u5","_links":{"self":[{"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/pages\/1865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/comments?post=1865"}],"version-history":[{"count":22,"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/pages\/1865\/revisions"}],"predecessor-version":[{"id":2119,"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/pages\/1865\/revisions\/2119"}],"wp:attachment":[{"href":"https:\/\/blogs.acu.edu\/cornerstonef13\/wp-json\/wp\/v2\/media?parent=1865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}