{"id":308,"date":"2011-04-06T21:35:57","date_gmt":"2011-04-07T02:35:57","guid":{"rendered":"http:\/\/blogs.acu.edu\/digitalacademy\/?page_id=308"},"modified":"2011-07-29T20:46:44","modified_gmt":"2011-07-30T01:46:44","slug":"portraits","status":"publish","type":"page","link":"https:\/\/blogs.acu.edu\/digitalacademy\/portraits\/","title":{"rendered":"Shooting Better Portraits"},"content":{"rendered":"

A good portrait<\/strong> shows more than merely what someone looks like. It captures an expression, reveals a mood, or tells something about a person. Props, clothing, or a view into the subject\u2019s environment are not essential, but they can help show what a person does and gives a hint about who the person is. A portrait attempts to express the character of a person and pin down the sitter in the hierarchy of their world, socially and physically, showing status, authority, and significance. A portrait offers into a person beyond the details of appearance, revealing unknown sides of his or her character or showing a fresh perspective on someone we know well.<\/p>\n

Here are TEN THINGS TO KEEP IN MIND when shooting portraits:<\/p>\n

 <\/p>\n

1. Alter Your Perspective<\/strong><\/h1>\n

Most portraits are taken with the camera at (or around) the eye level of the subject. While this is good common sense \u2013 completely changing the angle that you shoot from can give your portrait a more interesting factor. Get up high and shoot down on your subject or get as close to the ground as you can and shoot up. Either way you\u2019ll be seeing your subject from an angle that is bound to create interest.<\/p>\n

 <\/p>\n

2. Play with Eye Contact<\/strong><\/h1>\n

It is amazing how much the direction of your subject\u2019s eyes can impact an image. Most portraits have the subject looking down the lens \u2013 something that can create a real sense of connection between a subject and those viewing the image. But there are a couple of other things to try: <\/strong><\/p>\n

 <\/p>\n

A. Looking off camera<\/em> \u2013 have your subject focus their attention on something unseen and outside the field of view of your camera. This can create a feeling of candidness and also create a little intrigue and interest as the viewer of the shot wonders what they are looking at. This intrigue is particularly drawn about when the subject is showing some kind of emotion (ie \u2018what\u2019s making them laugh?\u2019 or \u2018what is making them look surprised?\u2019). Just be aware that when you have a subject looking out of frame that you can also draw the eye of the viewer of the shot to the edge of the image also \u2013 taking them away from the point of interest in your shot \u2013 the subject.<\/p>\n

\n

B. Looking within the frame<\/em> \u2013 alternatively you could have your subject looking at something (or someone) within the frame. A child looking at a ball, a woman looking at her new baby, a man looking hungrily at a big plate of pasta\u2026. When you give your subject something to look at that is inside the frame you create a second point of interest and a relationship between it and your primary subject. It also helps create \u2019story\u2019 within the image.<\/p>\n

\"\"<\/a>

by Nil Santana<\/p><\/div>\n

3. Break the Rules of Composition<\/strong><\/h1>\n

There is a lot of \u2018rules\u2019 out there when it comes to composition and it can be a love hate relationship with them. My theory is that while they are useful to know and employ that they are also useful to know so you can purposely break them \u2013 as this can lead to eye-catching results.<\/p>\n

The Rule of Thirds is one that can be effective to break \u2013 placing your subject either dead center can sometimes create a powerful image \u2013 or even creative placement with your subject right on the edge of a shot can sometimes create interesting images.<\/p>\n

\"\"<\/a>

by Stephanie Swain<\/p><\/div>\n

4. Experiment with Lighting<\/strong><\/h1>\n

Another element of randomness that you can introduce to your portraits is the way that you light them. There are almost unlimited possibilities when it comes to using light in portraits. Side lighting can create mood, backlighting and silhouetting your subject to hide their features can be powerful. Using techniques like slow synch flash can create an impressive wow factor.<\/p>\n

\"\"<\/a>

by Lael Meadal<\/p><\/div>\n

5. Shoot Candidly<\/strong><\/h1>\n

Sometimes posed shots can look somewhat\u2026. posed. Some people don\u2019t look good in a posed environment and so switching to a candid type approach can work. Photograph your subject at work, with family or doing something that they love.<\/p>\n

\"\"<\/a>

by Vanessa Butler<\/p><\/div>\n

6. Introduce a Prop<\/strong><\/h1>\n

Add a prop of some kind into your shots and you create another point of interest that can enhance your shot. Yes you might run the risk of taking too much focus away from your main subject but you could also really add a sense of story and place to the image that takes it in a new direction and gives the person you\u2019re photographing an extra layer of depth that they wouldn\u2019t have had without the prop.<\/p>\n

\"\"<\/a>

by Joanna Gaines<\/p><\/div>\n

7. Focus Upon One Body Part \u2013 Get Close Up<\/strong><\/h1>\n

Get a lens with a long focal length (telephoto) \u2013 or get right in close so that you can just photograph a part of your subject. Photographing a person\u2019s hands, eyes, mouth or even just their lower body\u2026 can leave a lot to the imagination of the viewer of an image.<\/p>\n

Sometimes it\u2019s what is left out of an image that says more than what is included.<\/p>\n

\"\"<\/a>

by Nil Santana<\/p><\/div>\n

8. Obscure Part of your Subject<\/strong><\/h1>\n

A variation on the idea of zooming in on one part of the body is to obscure parts of your portrait subject\u2019s face or body. You can do this with clothing, objects, and their hands or just by framing part of them out of the image. Doing this means that you leave a little to the imagination of the image\u2019s viewer but also focus their attention on parts of your subject that you want them to be focused upon.<\/p>\n

\"\"<\/a>

by Melanie Caskey<\/p><\/div>\n

9. Take a Series of Shots<\/strong><\/h1>\n

Switch your camera into \u2018burst\u2019 or \u2018continuous shooting\u2019 mode and fire off more than one shot at a time. In doing this you create a series of images that could be presented together instead of just one static image. This technique can work very well when you\u2019re photographing children \u2013 or really any active subject that is changing their position or pose in quick succession.<\/p>\n

\"\"<\/a>

by Nathan Lambert<\/p><\/div>\n

10. Have fun!<\/strong><\/h1>\n

Sometimes we worry too much about taking photos, and we forget to enjoy the process of making images. So get out there, take great pictures and have a wonderful time!!<\/p>\n","protected":false},"excerpt":{"rendered":"

A good portrait shows more than merely what someone looks like. It captures an expression, reveals a mood, or tells something about a person. Props, clothing, or a view into the subject\u2019s environment are not essential, but they can help show what a person does and gives a hint about who the person is. A […]<\/p>\n","protected":false},"author":1660,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-308","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/pages\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/users\/1660"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/comments?post=308"}],"version-history":[{"count":1,"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/pages\/308\/revisions"}],"predecessor-version":[{"id":309,"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/pages\/308\/revisions\/309"}],"wp:attachment":[{"href":"https:\/\/blogs.acu.edu\/digitalacademy\/wp-json\/wp\/v2\/media?parent=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}