Archive for ‘Assignments’

DSGN 463: Student Presentations

0 Commentsby   |  09.07.12  |  Assignments, DSGN 463

We will spend the first few weeks of the semester hearing (and seeing) from each student about their internship experience. This is an extremely valuable exercise for both the presenter and the audience. Shared experiences will surface, as well as unique ones. Hopefully, this will help illustrate the breadth of possibilities in field of design.

The presentations should answer the following questions:

  1. What is the name, location and type of business/firm/store? (Include types of projects they typically work on.)
  2. What types of experience did you gain? What types of projects did you work on? (Include visual examples of work completed – design sketches, site photos, construction photos, etc.)
  3. Were your goals and expectation met? How and why or why not? (Include specific reflections on experience.)
  4. What conclusions did you draw from the experience and how will they influence your career choice?
Each student will have 15 minutes for their presentation, with and additional 5-10 minutes for Q&A/discussion. We will develop a schedule in class for the order of presentations. Please be well-prepared to present at your assigned date and time.

IBD Project 6: Brand Identity

0 Commentsby   |  04.16.12  |  ART 353, Assignments

Overview

In an effort to create a brand identity beyond the brandmark itself, students will apply color, typography, imagery and graphic elements to reinforce the brand across a variety of media. The goal is to create a consistent visual language for the brand that is infused with meaning and value, and provides unity through multiple applications.

Objectives:

  • Investigate the use of typography, form/symbols and color to communicate meaning and unify the core concept
  • Increase typographic skills (letter spacing, word spacing, leading, scale, proportion, etc.)
  • Evaluate the use of information design
  • Develop design process
  • Refine drawing skills as an integral part of design thinking
  • Increase proficiency of using software to manipulate and integrate type with objects

Assignment

Step 1: Choose one of the brandmarks you created this semester (projects 2 – 5). You may make small refinements to the mark if necessary, but there is not enough time for redesign.

Step 2: Using the brandmark as your foundation, choose five touchpoints (business card required) from the list below to reinforce the brand identity.

  • Business Card (required)
  • Letterhead
  • Collateral (brochures, special publications, information graphics, etc.)
  • Website (w/favicon)
  • Signage/Environmental Graphics
  • Product Design
  • Packaging
  • Advertising
  • Environments
  • Vehicles
  • Uniforms
  • Ephemera (a.k.a. goodies, swag, stuff)
Step 3: Research and gather inspiration (3 p/touchpoint min.)
Step 4: Design each touchpoint for the brand. If the touchpoint is complex (such as a website), design a representative sample. For example, you may choose to design a splash page and home page for a website). The main point is for you to communicate the brand identity clearly through a variety of media.
Step 5: Design a “Brand Book” that contains the brandmark (both b&w andd color versions) and all of the touchpoints. The Brand Book itself should communicate the brand identity through the use of typography, color, imagery, graphics, etc.

Process Requirements:

  • Sketches: 10 min. for each touchpoint
  • Inspiration: Collect visuals for each touchpoint (3 min. for each = 15 min.)
  • Reading: Designing Brand Identity, pgs. 124-171, 182-3

Final Deliverables

Brand Identity Book

  • Format: size and orientation is up to you (8 x 10 min.), color, bound
  • Cover: Include brandmark, can include title if desired
  • Pages:
    • Table of Contents
    • Brandmark w/variations (color, b&w)
    • One page (min.) for each touchpoint (consider a spread for each)
    • Label pages with touchpoint and page number
  • Back cover: include your name, ART 353: Identity and Brand Design, and Spring 2012

Process Documentation:

Neatly organize the following process documents in a report binder with your name on it.

  • Photocopies of sketches (10 min. for each touchpoint)

Digital Files:

Upload PDFs of the brand identity book to the class dropbox on myACU.

Schedule & Deadline

  • Mon., Apr. 16: Project introduced
  • Wed., Apr. 18: Work day – touchpoints
  • Fri., Apr. 20: Post inspiration to the blog
  • Mon. Apr. 23: Workday – touchpoints
  • Wed., Apr. 25: Workday – touchpoints
  • Fri., Apr. 27: Workday – touchpoints
  • Mon., Apr. 30: Critique – have prints of all work ready to pin-up @ beginning of class
  • Wed., May 2: Workday – Brand Book
  • Fri., May 4: Workday – Brand Book
  • Finals Week: Final Presentation/Critique

Grading Criteria

Project = 20% of final course grade

Link to grading criteria

Student Examples:

IBD Project 5: Brandmark IV

0 Commentsby   |  03.28.12  |  ART 353, Assignments

Overview

This project continues the exploration of different types of brandmarks, specifically those that incorporate the brand name in their creation. The challenge, besides designing a visually striking brandmark, is to discern which type of mark is most effective for the client. Please refer to the previous project and/or your text for a description of the different types of brandmarks. Here’s a good online resource with examples of each.

Assignment

For this assignment, you will develop brandmarks for either the Academy of Technology, Engineering, Math & Science (ATEMS) or ACU’s Equine-Assisted Counseling & Learning.

Step 1: Each of you will be assigned one of the following clients.

Step 2: Do some research and gather useful information.

Step 3: Gather some inspiration (three marks minimum). Submit to the blog at the date specified in the schedule.

Step 4: Start Designing! (You’ve probably already started this by now.) Project requirements are as follows:

Process:

  • Inspiration
  • Sketches (15 min. for each mark)
  • Rough comps (one for each mark, black & white)
  • Writing: 1 blog post and 2 comments (see writing requirements)

Product:

  • Design two different marks.
  • Each mark must incorporate the brand name. ATEMS mark must include selected mascot.
  • Design both black & white (no mid-tones or gradients) and color versions for each mark.

Final Deliverables

Final Composition:

  • Arrange each mark (both b&w and color versions) on individual black matboards
  • Matboard size (for each mark): 21″ x 12″ (landscape orientation)
  • Sheet size (for each mark): 8″ x 8″ (marks should be 6″ x 6″ max.)
  • B&W mark on the left and color mark on the right
  • 2″ margin around entire piece, 1″ between b&w and color versions
  • Put your name on the back of each matboard
  • Create a sheet with marks at three different sizes – 6″ x 6″, 3″ x 3″ and 1″ x 1″

Process Documentation:

  • Inspiration posted to the discussion blog.
  • Place photocopies of sketches (15 min. for each mark) in a report binder with your name on it.

Digital Files:

Combine all marks into a single PDF* and upload to the class dropbox in the myACU files system.

*prefix file with your ACU username followed by an underscore (ex: bly95s_brandmark 4.pdf)

Schedule & Deadline

  • Wed., Mar. 28: Introduce project, Guest Steve Eller with ACU’s Counseling Center
  • Fri., Mar. 30: Post inspiration to discussion blog. (Make sure to label the type of mark – wordmark, pictorial mark, abstract mark or emblem)
  • Mon., Apr. 2: Work day
  • Wed., Apr. 4: Work day (Brandon will not be in class)
  • Fri., Apr. 6: No Class – Good Friday
  • Mon., Apr. 9: Rough comps due, Critique
  • Wed., Apr. 11: Color palette selected, Work day
  • Fri., Apr. 13: Final presentation/critique, blog post due by class
  • Mon., Apr. 16: Turn in all deliverables, blog comments due by class

Grading Criteria

Project = 15% of final course grade

Link to grading criteria.

IBD Project 4: Brandmark III

0 Commentsby   |  03.05.12  |  ART 353, Assignments

Overview

This project continues the exploration of different types of brandmarks, specifically those that incorporate the brand name in their creation. The challenge, besides designing a visually striking brandmark, is to discern which type of mark is most effective for the client. Please refer to the previous project and/or your text for a description of the different types of brandmarks. Here’s a good online resource with examples of each.

Assignment

For this assignment, you will develop a brandmark for a fictional US-based luxury accessory retailer. Concurrently, a group of upper-level interior design students are designing the retail store space for the same fictional companies. Please refer to this document (PDF) for more information about the retailer.

Step 1: Each of you will be assigned one of the following potential business names.

  • Chatoyer: Amy, David, Evan and Jennifer
  • Zyro: Brittany, Jenny, Jordan and Ryan
  • N. Morangie: Chase, James, Leeanna, Mallory and Tenchis
  • Bennett’s: Ashley, Aubree, Keith, Philip and Zack
Step 2: Do some research and gather useful information. Following are key competitors:
Step 3: Gather some inspiration (three marks minimum). Submit to the blog at the date specified in the schedule.

Step 4: Start Designing! (You’ve probably already started this by now.) Project requirements are as follows:

Process:

  • Inspiration
  • Sketches (15 min. for each mark)
  • Rough comps (one for each mark, black & white)
  • Writing: 1 blog post and 2 comments (see writing requirements)

Product:

  • Design two different marks.
  • Each mark must incorporate the brand name.
  • Design both black & white (no mid-tones or gradients) and color versions for each mark.

Final Deliverables

Final Composition:

  • Arrange each mark (both b&w and color versions) on individual black matboards
  • Matboard size (for each mark): 21″ x 12″ (landscape orientation)
  • Place 8″ x 8″ b&w mark on the left and 8″ x 8″ color mark on the right
  • 2″ margin around entire piece, 1″ between b&w and color versions
  • Put your name on the back of each matboard
  • Create a sheet with marks at three different sizes. We will discuss this more later.

Process Documentation:

  • Inspiration posted to the discussion blog.
  • Place photocopies of sketches (15 min. for each mark) in a report binder with your name on it.

Digital Files:

Combine all marks into a single PDF* and upload to the class dropbox in the myACU files system.

*prefix file with your ACU username followed by an underscore (ex: bly95s_brandmark 2.pdf)

Schedule & Deadline

  • Mon., Mar. 5: Introduce project
  • Wed., Mar. 7: Post inspiration to discussion blog. (Make sure to label the type of mark – wordmark, pictorial mark, abstract mark or emblem)
  • Fri., Mar. 9: Work day
  • Mar. 12 – 16: No class (Spring Break)
  • Mon., Mar. 19: Work day
  • Wed., Mar. 21: Rough comps due, Critique
  • Fri., Mar. 23: Color palette selected, Work day
  • Mon., Mar. 26: Final presentation/critique, blog post due by class
  • Wed., Mar. 28: Turn in all deliverables, blog comments due by class

Grading Criteria

Project = 15% of final course grade

Link to grading criteria.

DSGN 442 – Design Project

0 Commentsby   |  02.16.12  |  Assignments, DSGN 442

Teams

  • MSL – Melanie, Sara Beth & Lauren
  • HAT – Haley, Al & Tana
  • KSK – Kasi, Shannon & Kirsten
  • BLNC – Briana, Lisha, Nicole & Chad

2012 Retail Design Institute Competition

For more information specific to the RDI Competition, please go here. There are some good Q&A documents that may help with design direction.

Programming Info/Pre-Design

  1. Project Information (Design Problem, Goal & Objectives, Space Allocation
  2. Research (Location, Competition/Positioning, Consumer Habits, Trends in Retail Design, Green Design)
  3. Code Review (Complete Checklist, Document Code Sections referred to)
  4. Case Studies
  5. Inspiration
Construction Drawings
  • GN.00 – Cover w/Drawing Index (T.O.C.)
  • GN.01 – General Notes, Code Info., Abbreviations, Accessibility Notes
  • LS.XX – Life Safety Plans (first and second levels), Legends, Occupancy Schedule
  • I2XX – Dimensioned Floor Plans (first and second levels), Legends
  • I3XX – Reflected Ceiling Plans (first and second levels), Legends
  • I4XX – Finish & Furniture Plans (first and second levels), Legends, Notes, Abbreviations
  • I5XX – Interior Elevations
  • I6XX – Wall Types and Sections
  • I7XX – Millwork Details
  • I8XX – Details
  • Stair Plans and Section

Schedule & Deadline

Week 1:

  • Thurs., Feb. 16: Introduce project and design teams

Week 2:

  • Tues., Feb. 21: Precedent research and code review
  • Thurs., Feb. 23: Discuss deliverables and schedule, Team meetings

Week 3:

  • Tues., Feb. 28: Team meetings as required
  • Thurs., Mar. 1: Programming document due
Week 4
Week 5 (Spring Break)
Week 6
Week 7:
  • Tues., Mar. 27: Schematic Design due
Weeks 8 – 12
Week 13:
  • Wed., May 9: Construction Drawings due

Design Process Book

0 Commentsby   |  11.29.11  |  Assignments

10% of the course grade is determined by the process documents (sketches, preliminary drawings, etc.) you’ve created throughout the semester. Each project required a certain number of these process documents to be submitted as a portion of the grading criteria.

The final Design Process Book should meet the following requirements:

  • Format: 8 1/2″ x 11″ portrait, spiral bound book w/clear protective cover
  • Cover page needs to include: Design Process Book, Class Number and Name (ex: DSGN 341: Architectural Design 1), Semester and Year, Student Name
  • Provide divider sheets between each project’s process docs (label with project number and name)
  • Provide copies (no originals) of process documents for each project

The Design Process Book is due at the scheduled final exam date and time.

DSGN 341: Project 3 – West Texas Cabin

0 Commentsby   |  11.14.11  |  Assignments, DSGN 341

Assignment

You have received a commission to design a small cabin located on a 1,500 acre ranch southwest of Abilene outside of View, Texas. The cabin will serve as a retreat for your clients, a retired entrepreneur and his artist wife, who live in Nashville, Tn. Having grown up in the area, they have an emotional connection to the land and enjoy the peace found at the ranch. Their desire is for the cabin to be built using principles of sustainability and inspiration from the vernacular.

The house should meet the following requirements:

  • Responds to surrounding context (views, environmental conditions, etc.)
  • Provides a clear connection between inside and out
  • Incorporates sustainable design principles
  • Utilizes compressed earth blocks for exterior wall construction
  • 900 sf (net area) that includes:
    • Living room
    • Kitchen/Dining
    • Bedrooms (x2, 8′ min. dimension)
    • Bathrooms (x1)
    • Laundry room/closet
    • General storage (indoor/outdoor)
    • Space designated for mechanical/water heater
    • Outdoor space (not included in total net area)

Objectives:

  • Explore the relationship between site and building
  • Gain a better understanding of tectonics and its expression
  • Determine an appropriate response to a given context (and be able to justify the response)
  • Evaluate and respond to environmental conditions (sun + wind)
  • Respond to firmness, commodity and delight through design
  • Examine materiality (including traditional and contemporary materials)
  • Develop design process
  • Develop technical skills including model-building and sketching
  • Utilize digital tools for design and visualization
  • Increase visual and oral communication skills

Design Process:

  1. Gather relevant contextual information. This includes the following: site plan, solar path, predominant winds, annual/monthly rainfall, types/sizes/shapes of surrounding houses. Print and organize this information so it is easy for you to access. Surround yourself with it and bring it to every class meeting. Seriously, this information is very important.
  2. Create a diagram of the site plan and overlay the information gathered above.
  3. Develop a parti (organizing concept) that relates the building to the site. Consider orientation, public, semi-public and private zones, outdoor space, etc.
  4. Begin to develop floor plan, elevations and massing simultaneously. Please avoid designing in plan only and then “extruding” the building from the plan. Oh, and do this by hand for a bit.
  5. Don’t forget all that you have learned about the site as you design. See #1.
  6. Once you’ve got a good idea of where you are going, you can begin to use the computer to assist you with design. Everyone will use Revit and SketchUp on this project.
  7. Develop the design at all levels and create representational drawings to communicate the design intent.

Writing + Sketching

Final Deliverables

Drawing Set:

Size: 11″ x 17″ (landscape). Do not bind. We will pin-up individual sheets at the scheduled final exam date.

  • Cover page
    • Project info: project name, student name, DSGN 341, Fall 2011
    • Drawing Index (table of contents)
    • One exterior perspective (greyscale w/shadows)
  • A1.0 – Site Plan
    • Identify house on site plan
    • Identify contours, road, walkways and landscaping on site plan
  • A1.1 – Furnished Floor plan
    • Label all rooms
    • Show furnishings in rooms
    • Show all permanent fixtures and casework (plumbing, cabinets, built-in furniture, etc.)
    • Show elevations and section symbols
  • A1.2 – Dimensioned floor plan (show built-ins, but not furnishings)
    • Label all rooms
    • Show all permanent fixtures and casework (plumbing, cabinets, built-in furniture, etc.)
    • Do not show movable furniture
    • Provide overall dimensions, dimensions locating openings in exterior walls (windows and doors), interior dimensions from wall to wall, dimensions locating all door positions
    • Show elevation and section symbols
  • A2.0 – Roof Plan
    • Indicate roof slope graphically with arrows pointing down slope
    • Note roof rise/run (i.e. 3:12)
  • A3.0-3.1 – Building Elevations
    • Four primary elevations (two per sheet)
    • Rendered w/shadow (greyscale)
    • Label important heights (grade, floor, eave, top of roof)
    • Include some portion of grade line in each elevation
  • A4.0 – Building Sections
    • One longitudinal
    • One cross
    • Label important heights (grade, floor, eave, top of roof)
    • Show call-out for wall section
    • Include some portion of grade line in each elevation

Important Notes about Drawings and the Drawing Set:

  • Each sheet (excluding the cover) needs to have a title block that contains: project name, student name, DSGN 341, Fall 2011, sheet name and number.
  • Include graphic scales, labels, symbols and north arrow where necessary.
  • Be sure to reference elevations and sections to the appropriate sheet and drawing number in the set.
  • Line weights. Use them to establish spatial depth.
  • Poché works well to define space.
  • Click here for a Revit file with sample title blocks.

Scale Model:

  • Scale: 1/8″ = 1′-0″
  • Make sure it is finely crafted! (Keep a sharp blade and use your drawings as templates.)
  • Use chipboard, illustration board or museum board – NO FOAM CORE
  • You can also use basswood. Especially useful for smaller details (such as window frames).
  • Create a base for the model (flat site). Include street and sidewalk.

Process Documentation:

  • Photocopies of sketches – Turn these in as part of your final Design Process Book
  • Writing (post to blog on specified date below)

Digital Files:

Upload the drawing set (saved as a high quality PDF*) to the class dropbox on myACU.

*Prefix each file with your ACU username followed by an underscore (ex: bly95s_project 3.pdf)

Schedule + Deadline

Week 1

  • Tues., Nov 15: Introduce project, discuss context
  • Thurs., Nov 17: Site visit, work day

Week 2

  • Tues., Nov 22: Work day
  • Thurs., Nov 24: No Class (Thanksgiving Holiday)

Week 3

  • Tues., Nov 29: Explain expectations for final deliverables
  • Thurs., Dec 1: Small group critique @ beginning of class, begin work on final deliverables

Week 4

  • Tues., Dec 6: Discuss dimensioning and roof plan, work on final deliverables.
  • Thurs., Dec 8: Design Process and Conclusions Statement due (beginning of class), Discuss wall section, work on final deliverables.

Finals Week

  • Project due (including comments to blog posts) at scheduled final exam time.

Resources

DSGN 242: Project 4 – Empty Nest Condominium

0 Commentsby   |  11.14.11  |  Assignments, DSGN 242

Objectives

The student will investigate and implement a design solution with regard for:

  • Exploration of options for renovation of an existing space into a mixed-use environment
  • Identification of client needs and development of a problem statement
  • Functional aspects related to needs for “aging in place” and the elderly
  • Efficiency aspects within an office in which functionality and aesthetic responses reflect the particular client scenario
  • Unique structural and building system parameters of a high-rise environment
  • Conceptual development of stylistic preferences specified by the client
  • Development of a multipurpose commercial space that showcases a notable anthropology career shared with a non-profit service endeavor
  • Creation of lighting and electrical plans supported by legends that serve specific needs of the client
  • Compilation of a presentation in a bound format

Assignment

Client Profile

Mr. & Mrs. Juan Javier Alvarado Jimenez have hired you to assist them with the development of a design solution in which the couple’s current residence in Santa Barbara, California will be renovated into a living and gallery environment. Mr. & Mrs. Alvarado Jimenez’s children are grown and each has a family and home of their own in the same city. In the design, the couple asks that you reconfigure and divide the current living space to combine residential living with an office-like space. Mr. Alvarado Jimenez is retiring from his work as an archeologist, and he wishes to showcase and share his personal collection in an office/gallery setting within the condo. For some time now, he has had increasing health difficulties due to his age (75) and diabetes. Re-establishing his office adjacent to the living space will allow him to eliminate monthly lease fees for his current office space.

Mr. & Mrs. Alvarado Jimenez are native Argentinians and are passionate for their homeland. Mrs. Garcia de Alvarado (Cecilia) is an active supporter of non-profit charities and foundations who assist the homeless in producing and selling their own artwork. She plans to showcase some of the artwork in both the living and office environment. The office space will provide a space in which Cecilia can easily share her husband’s part-time personal assistant. Additionally, both of them will be able to host events and receive guests in the general office space for meetings and small social gatherings.

Because this is a high-rise, the exterior of the building must maintain its cohesive integrity. The 8th floor apartment looks out on a view of the California coastline. The couple anticipates an aesthetically pleasing design solution that accommodates the unique purposes of each space and their preference for showcasing their personal interests and style.

Criteria for Living Environment (consider “aging in place” needs)

  • Private Entry – branch off common elevator lobby
  • Living Room – seating for four (min.), tables, collectibles (a TV is not needed and electronics should be placed inconspicuously within cabinetry)
  • Kitchen + Dining – minimal kitchen and dining for two; appliances needed: wall oven, cook top, small refrigerator, microwave and dishwasher; adequate storage space; trash disposal bins are located in the common area beyond the tenant space
  • Master Suite – Queen-size bed, bedside table(s) or cabinet surface, 6′-0″ dresser, chest, relaxed seating for two, closet space with 10 linear feet of single rod and 7 linear feet of double rods, personal vault for valuables
  • Master Bath – tub/shower, toilet, double vanity, linen and toiletry storage
  • Laundry – a compact laundry is requested, provide small washer and dryer, minimal household supplies, compact ironing/steam equip.

Criteria for Office Environment

  • Separate Entry – branch off common elevator lobby, develop with attention to professional ambiance
  • Office Space for Personal Assistant – desk with adequate work space, computer/monitor/keyboard/printer, telephone, fax machine, four-drawer lateral file (x1), desk chair, inconspicuous business supply storage
  • Multi-Purpose Waiting, Conference and Socializing Room – spacious, include a movable table and seating for up to four, showcase art from Mrs. Alvarado Jimenez’s charity work Mr. Alvarado Jimenez’s archaeological collection in a gallery-like setting
  • Executive’s Private Office – eight linear feet of shelving, standard executive desk, telephone, two-drawer lateral file (may be combined with credenza unit), desk chair and comfortable guest seating for one
  • Non-Profit Office Accommodations – standard desk accommodations with 4′-0″ of shelving and one vertical file, desk chair, telephone, laptop computer, printer, one guest chair and a 3′ x 4′ closet for storage of various items related to her volunteer work
  • Coat Closet and Mini Refreshment Station (concealed)
  • Powder Room – toilet, lavatory and minimal storage; though small, this room should be interesting and ADA accessible

The Building

  • Ten-story steel structure with windows on all sides
  • Entrance to the eighth floor tenant space is via the elevator, which opens into both the parking garage and the building lobby. A fire exit is located within close proximity of the tenant space as well.
  • Existing windows must remain as indicated on the floor plan. New walls may intersect at window mullions.
  • Plumbing should back up to walls with marked plumbing chases or branch overhead from a plumbing chase.
  • Windows are operable. Glazing is from the ceiling down to 1′-6″ A.F.F. (above finished floor).

The Interior

  • New interior walls are 3 5/8″ metal studs with 5/8″ gypsum board on both sides (for purposes of this project, draw new interior walls at 5″ thick).
  • The floor is structural concrete and cannot be punctured.
  • The existing ceiling height is 9′-10″ A.F.F., which will remain as the maximum ceiling height.
  • There is a 2′-0″ plenum space for HVAC, electrical, sprinklers and lighting above the ceiling.
  • The bedroom shall have an operable window in an exterior wall for fire safety.
  • All doorways and each bathroom/restroom must be wheelchair accessible.

Required Process Documentation:

Final Deliverables

Presentation Materials:

The following requirements to be assembled in a n 11″ x 17″ spiral-bound booklet (link to template is below under “Resources.” Each student will submit a printed and bound copy as well as a digital version (saved as a PDF – see below for details).

  • Written Problem Statement – describe the client’s needs and requirements
  • Design Concept Statement – describe the proposed solution and its ability to meet the client’s needs and requirements
  • Design Concept Imagery – assemble visuals (either digitally or physically) that portray the design concept direction for the living and office spaces (one page for each)
  • Design Process – clearly illustrate the design process, visuals can include: bubble diagram, block plan, circulation study, preliminary drawings/informative sketches and problem identification lists
  • Furnished Floor Plan – drafted at 1/8″ = 1′-0″ scale or 3/16″ scale (choose one); reflect the design and style through line quality (line weight distinction) and textures; include built-ins and movable furnishings; label each room/space (directly or through keynotes)
  • Lighting and Electrical Plan – drafted at same scale as furnished floor plan; connect switches to light fixtures with dashed lines (arcs); place electrical outlets every 12′-0″ o.c. (on center) except at the kitchen counter top where they are 4′-0″ o.c.; provide outlets as needed for functionality in the office; outlets nearest the sinks must be GFIC; place 120v and 240v outlets correctly; draft all built-in units, cabinetry, appliances and plumbing fixtures; do not draw movable furnishings on this plan; label each room/space (directly or through keynotes); provide a symbol legend
  • Cabinetry Drawings – Custom designed feature cabinet (6′-0″ in height min.); top, front, left, right and one section view at 1/2″ = 1′-0″ scale; two detail views at 3″ = 1′-0″ scale

Process Documentation:

  • Photocopies of all sketches (included in your final Design Process Book)
  • Blog post by date listed below

Digital Files:

Upload the final booklet (saved as a PDF*) to the class dropbox on myACU.

*Prefix the file with your ACU username followed by an underscore (ex: bly95s_project 4.pdf)

Schedule + Deadline

  • Mon., Nov. 14: Project 4 assigned, research, search for inspiration
  • Wed., Nov 16: Bubble diagrams, block plans, circulation studies
  • Fri., Nov 18: Floor plan development
  • Mon., Nov 21: Floor plan development, lighting and electrical plan
  • Wed. – Fri., Nov. 23-25: No Class (Thanksgiving Holiday)
  • Mon., Nov 28: Floor plan, lighting and electrical plan
  • Wed., Nov 30: Plans finalized, cabinetry drawings
  • Fri., Dec 2: Cabinetry drawings
  • Mon., Dec 5: Computer lab – work with digital images/drawings and InDesign
  • Wed., Dec 7: Finalize cabinetry drawings, computer lab and InDesign
  • Fri., Dec 9: Design process and conclusions statement due (post to blog)
  • Thurs., Dec 15: Project due (including comments to blog) for Final Review, 2 – 3:45pm

Grade Weight & Criteria

Project = 25% of final course grade

Link to Grading Criteria

Resources:

DSGN 242: Project 3 – Accessible Bungalow

0 Commentsby   |  10.11.11  |  Assignments, DSGN 242

Overview

This project allows students to role-play, investigate and analyze the specific needs of a wheelchair user and relate those needs to the built environment – specifically the home and work environments.

Assignment

Client Profile

Your client is a single mom with a 10-year-old son. She is a well-known, highly respected painter and illustrator, and recently purchased a charming bungalow built in 1928 to live in and use as a studio. She is also a wheelchair user that has full use of her upper body and is fully self-sufficient limited only by the need for the wheelchair.

House

The existing layout of the bungalow does not adequately meet the unique needs and abilities of your client, and requires renovation to operate efficiently. The final design should include the following spaces/rooms:

  • Living room
  • Eat-in kitchen* (well organized w/dining for four)
  • Master bedroom*
  • Master bathroom* (include roll-in shower w/seat space)
  • Bedroom
  • Studio*
  • Laundry room/closet

Demolition and relocation of interior walls will be required, but you must work within the existing footprint of the townhouse. No changes in the exterior walls are allowed, with the exception of door and/or window changes if deemed necessary.

* Utilize specialized cabinetry

Specifications and General Requirements

  • Interior walls are 3 1/2” wood studs with 1/2” gypsum wallboard on both sides (total thickness = 4 1/2”)
  • Two means of egress (min.) are required, and one is required in the master bedroom
  • Perimeter walls cannot be changed, with the exception of adding exterior door(s)
  • 10′-0″ ceiling height maximum

Barrier-Free Requirements
Kitchen

  • Counter height: 32”
  • Backsplash height: 14” (distance between top of counter and bottom of cabinet above)
  • Knee space: 26-29” clearance at the sink, mixing area, eating surface and cooktop (with caution)
  • Toe space: 9”(h) x 6”(d)
  • Turnaround: 66-72” in kitchen, 60” at changes of direction
  • Cabinet pulls: 18” A.F.F. minimum (no lower)
  • Door levers (no knobs): 3’-0” A.F.F.
  • Reach requirements (maximums)
    • Unobstructed side = 54”
    • Over 24” counter side reach = 44”
    • Unobstructed forward reach = 48”
    • Over 24” counter forward reach = 44”
  • Mobile carts are helpful and have many applications
  • Open shelving is beneficial
  • Helpful space saver conveniences are multi-functional and convertibility

Bath

  • Roll-in shower w/36” opening, 1 1/2” grab bars (x3), non-slip floor, seat or separate showering wheelchair
  • HC toilet w/adequate circulation for transfer, 1 1/2” grab bars (x2), appropriate storage nearby for supplies
  • Roll under sink w/insulated pipes and off-center drain, appropriate storage for vanity needs

All Areas

  • Switch plates, thermostat height: 42” preferred, 48” maximum
  • Pathways: 36” minimum
  • Corridors: 42” minimum
  • Doorways: 32” clear width minimum (pocket doors or double doors are options)
  • Meet clear space required on the latch side of all doors for side or forward approaches
  • Door swings must not encroach on the 60” turnaround diameter by more than 12”
  • 60” diameter turnarounds must be placed as needed
  • Lever handles are required on all doors

Special Requirements

  • Stoops at the entrances must have a flat landing on both sides of the door that accommodates a 60” diameter turnaround
  • 18” x 48” storage space located at the side entrance for inside and outside wheelchairs
  • Ramps have a maximum 1:12 incline ratio and are required at the front and side doors
  • Van is 6’-10” x 15’-6” and has a right side entry

Process:

Final Deliverables

Presentation Materials:

  • 18″ x 24″ Drawing Sheet (vellum or quality drawing paper)
    • Demolition plan @ 1/8″ = 1′-0″
      • Include demolition key w/graphic symbols indicating wall, window and door changes
    • Furnished floor plan @ 1/4″ = 1′-0″ scale
      • Indicate key turn around areas on the plan w/a 60″ dia. circle
      • Include interior elev. symbols (kitchen and master bath), room labels and north arrow
      • Note: Ramps are required from garage and the front sidewalk into house
    • Elevations of kitchen and master bath @ 3/8″ = 1′-0″ scale (10’ max. ceiling height)
      • Max. ceiling height= 10′-0″ / Min. ceiling height = 8′-0″
      • Show the wheelchair user in at least two views
  • 18″ x 24″ Finish Boards (x2, foam core)
    • Include all finishes, materials and colors
    • Schedules (door, window and finish)
    • Design concept narrative
  • Include Title Block on each sheet/board that includes
    • Project name
    • Your name
    • DSGN 242
    • Fall 2011
    • Sheet number (1, 1 of 3, 1/3, etc.)

Process Documentation:

Neatly organize the following process documents in a report binder or folder with your name on it.

  • Photocopies of all sketches/process drawings
  • Completed universal design experience worksheet

Schedule + Deadline

  • Wed., Oct 12: Project 3 assigned
  • Fri., Oct. 14: No Class (Art & Design Visiting Committee), independent progress
  • Mon., Oct 17: Experience wheelchair use, needs list, concept development (bubble diagrams, adjacencies, space planning)
  • Wed., Oct 19: Floor plan and furniture placement (w/barrier-free circulation)
  • Fri., Oct 21: No class (Fall Break), independent progress,
  • Mon., Oct 24: Floor plan and furniture placement
  • Wed., Oct 26: Floor plan and demo plan due – Group critique @ beginning of class, Elevations
  • Fri., Oct 28: Elevations
  • Mon., Oct 31: Elevations, finishes + schedules
  • Wed., Nov 2: Finishes + schedules, presentation drawings
  • Fri., Nov 4: Finalize presentation drawings + materials
  • Mon., Nov 7: Finalize presentation drawings + materials
  • Wed., Nov 9: Design process and conclusions statement due (post to blog)Finalize presentation materials
  • Fri., Nov 11: Project due at the beginning of class – Final Critique

Grading Criteria

Project = 25% of final course grade

Link to Grading Criteria

Resources:

Design Concept Narrative

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The design concept statement intends to communicate, through writing, the primary concepts utilized in the design. It is often referred to as a narrative and should be approached as such – you are telling a story of the space. What is important about the space and why. What theories, information, approaches, etc. support the decisions you made. Is there an overarching theme or idea that ties everything together?

The design concept statement is not simply a description of elements within the space (the graphic presentation should communicate that adequately), but rather a description of the quality of the space. With that said, please remove yourself from the equation – do not use the word or phrase “I” or “the designer.” This piece of writing is meant to describe the space, not the designer of the space.

The design concept narrative should be between 250 – 300 words.

Student Example

Daniel’s parents want a room where he and his older brother can interact and use their imagination. An existing master bedroom and bathroom in the family’s house are to be remodeled to meet this need. The design of the new suite for Daniel and his brother is a response to Daniel’s specific interests, as well as child development and color theories. The environment created is intended to nurture the brothers’ imagination, learning, growth and personal interests. After interviewing five-year-old Daniel, his interest in flying was clear; therefore, the primary theme of the space is centered on aviation. Antonio Torrice’s theories related to the relationship between color and child development are implemented into the design through the use of yellow, orange, green and blue, which encourage calmness, growth, wellness and speech development. “Centers” were created to provide distinct spaces for the brothers to engage in different activities such as games, puzzles, reading and kinesthetics. Overall the room displays a vibrant array of colors and an aviation motif to encourage and develop their interests, while having the flexibility to change as the brothers age.

Generic Example

A master suite has been adapted and renovated into an interior environment for five-year-old ________ and her sister. The solution is based upon the concepts of “Color, Choice and Convertibility” to fully complement the children’s growth and maturation, and to infuse a personalized design scheme. Guiding concepts for the solution were discovered during an interview with ________. The colors of choice are ________’s favorites: ________, ________ and ________. This spacious suite is designed for varied activities in a ________ theme reflecting the girls’ interests.

The west wall features a carpeted stage and a chest nearby contains dress up clothes. Another feature is a “Leaping Castle,” a three-foot high platform designed for jumping and harmlessly landing onto a large cushioned pillow. The secret to this special Princess castle is a hidden ladder placed inside on the east wall. The stage and castle are easily removed after the girls get older. Convertible, feminine bunk beds extend from the feature centered in the room. Each personalized bed is designed with safety and functionality.

Two paint easels on the south wall satisfy the girls’ creativity. Additionally, a bench and worktable are provided for computer work, homework assignments and art projects. Tile is used as the flooring in the art area for easy cleanup. A window seat is located in front of the large window for warm days and reading, and an adjacent bookcase contains many favorite books. A cabinet secures a wonderful aquarium to the east. The remodeled bathroom contains ample convertible cabinet space. A shower replaces the original bathtub and a new dressing room is located within close proximity to the bathroom and is accessible from two sides. The design solution provides a room full of favorite things according to the concepts of color, choice and convertibility.