Archive for February, 2011

Relief printing: Linocut

0 Commentsby   |  02.15.11  |  Professional Samples

Relief printing is one of the oldest forms of printmaking and accessible to everyone, even those without a press. In relief printmaking, the uppermost surface of the material is inked-up, and printed from, as with a rubber stamp. The cut marks below the surface do not receive any ink and therefore will not print.

Linocut technique: a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for the relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a press.

Although linoleum as a floor covering dates to the 1860, the linocut printing technique was used first by the artists of Die Brücke in Germany between 1905-13 where it had been similarly used for wallpaper printing. They initially described their prints as woodcuts however, which sounded more respectable.

As the material being carved has no particular direction to its grain and does not tend to split, it is easier to obtain certain artistic effects with Lino than with most woods, although the resultant prints can lack the often angular grainy character of woodcuts and engravings. Lino is much easier to cut than wood; especially when heated, but the pressure of the printing process degrades the plate faster and it is difficult to create larger works due to the material’s fragility.

ELIZABETH CATLETT




Never Lose Sight of the Origin

0 Commentsby   |  02.09.11  |  Announcements

           Is pintmaking dead? No, otherwise it would not still be taught today. However, it has been replaced by a more efficient and faster method. I like to think printmaking is not dead because the concept is still important. For example, last semester I took BVC and instead of just being able to print off the designs we created and turn them in we had to trace them. This was long and tedious work, but it taught us hard work, precision, and how to pay close attention to detail. We cannot always take the easy way out. Yes technology is growing from year to year and changing the way we do things into a much simpler form, but that does not mean we should lose sight of the origin. Printmaking is an art and I think it is a beautiful thing to make something that will never be the same the second time.