Archive for September, 2011

Cinemagraphs

0 Commentsby   |  09.27.11  |  Photography

After mentioning the Spirit of Space’s work, which attempts to communicate the emotional experience of architectural space, to a friend, he sent me this link to a set of cinemagraphs. Cinemagraphs are animated photographs that use a single photograph with one portion (or moment as described in the linked article) that is animated. The animation is similar to stop motion where individual frames (photos) are combined in sequence to represent movement. Does that make sense? Well, just go check them out – below is a single frame of one of the cinemagraphs.

 

Prefab Lattice Construction

0 Commentsby   |  09.26.11  |  Architecture, Reference

While I’m thinking about Studio Gang, the architecture firm designed a 1,400-square-foot open-air pavilion in Chicago’s Lincoln Park Zoo. This is a beautiful example of prefabrication, understanding material properties and fabrication technology.

Here’s a short film by Spirit of Space.

 

Jeanne Gang named MacArthur Fellow

0 Commentsby   |  09.26.11  |  Architecture, Reference

Jeanne Gang is the 47-year-old founder of Studio Gang Architects in Chicago. Here is a link to a short article/interview with Jeanne and below you’ll find a short interview produced by the MacArthur Foundation.

 

Photos from Stepping Stones – Fall 2011

0 Commentsby   |  09.23.11  |  DSGN 242, Project Supplemental Info.

DSGN 341: Project 2 – Nova Scotia Cottage

0 Commentsby   |  09.22.11  |  Assignments, DSGN 341

Assignment

Design a small cottage located on the shore of Moshers Bay in Upper Kingsburg, Nova Scotia, Canada. (Potential sites for the cottage will be provided.) Before beginning design, a fundamental understanding of the context is imperative. The context is determined by the people and the place, which are represented through history, culture, geography, landscape, vernacular buildings, local materials and building techniques to name just a few. Since we cannot visit the site for this project, you will need to gain as much information and insight as you can from the resources presented in class and your own research.

Objectives:

  • Understand context and its ability to inform a design project
  • Analyze site conditions (topography, wind, sun, natural forms/elements, views, access)
  • Continue to explore the relationship between space and form
  • Explore material culture and its influence on design
  • Understand fundamentals of building construction
  • Continue experimenting with tectonic expression
  • Explore drawing composition
  • Develop design process
  • Develop technical skills including model-building and sketching
  • Utilize digital tools for design and visualization
  • Increase visual and oral communication skills

Design Requirements:

The cottage should not exceed 650 square feet (interior space) and must include the following spaces:
  • Living/eating/relaxing space
  • Sleeping space (x2)
  • Bathroom
  • Kitchen
  • Storage closet(s)
  • Porch (1 min.)

Design Process:

Here’s how we’re going to do this thing.*

  1. Gather relevant contextual information. Print and organize this information so it is easy for you to access. Surround yourself with it and bring it to every class meeting. Seriously, this information is very important.
  2. Develop a parti (organizing concept) that relates the building to the site.
  3. Further develop the parti to address the spaces within the building – still thinking about the connection to the site.
  4. Translate the parti into building drawings (plans, elevations and sections to scale). This is a fluid process which requires you to constantly go back and evaluate your original parti and adapt as needed. Remember, the parti is really a starting point for design development. The building may end up looking much like the parti, but not necessarily.
  5. Build a small study model to better understand massing, fenestration (openings), form and daylighting.
  6. Think about structure. Draw building sections and important details. Don’t be scared, just do it. (I’ll help.)
  7. At this point you are probably tired, but encouraged by all the great progress you’ve made. Also, you should not have touched the computer! (Okay, maybe you used the computer to gather information, print images and possibly a site plan to work from. Other than that, you don’t need it yet. Trust me.)
  8. Now that you have developed a definitive direction, you can use the computer to refine your drawings.
  9. Put together a comprehensive presentation that represents your building’s contribution to the context. In other words, don’t just show drawings of a building, but paint a picture of a specific place.
  10. Build a presentation model.
  11. Sleep.

* Throughout the process, please remember to stay adequately hydrated and nourished, get fresh air and listen to the birds, and look for inspiration everywhere.

Reading, Writing + Sketching

  • Reading: Basics Design Ideas, pgs. 39-62, Basics Design and Living, pgs. 9-52
  • Writing: 1 Blog Post and 2 Comments (see Writing Requirements)
  • Sketches: 25 min.

Final Deliverables

Presentation sheet(s) that contains the following:

  • Precedent and other inspirational visuals that informed design decisions
  • Parti (sketch)
  • Floor plan*
  • Elevations*
  • Building Sections* (2 min.)
  • Exterior perspective view (Composite image w/SketchUp model, 2 min.)
*Final drawings completed by hand using digital info. as underlay. Include scale figures in elevations and sections.

Note: Size of sheet and scale of drawings TBD.

Scale Model:

  • Scale: 1/4″ = 1′-0″
  • Make sure it is finely crafted! (Keep a sharp blade and use your drawings as templates.)
  • Use chipboard, illustration board or museum board – NO FOAM CORE
  • You can also use basswood. Especially useful for smaller details (such as window frames).
  • Create a base for the model that shows topography

Process Documentation:

  • Photocopies of sketches (place in report binder or folder w/your name on it)
  • Study model
  • Writing (post to blog on specified date below)

Digital Files:

  • Upload the presentation sheet (saved as a high quality PDF*) to your drop.io site.

*Prefix each file with your ACU username followed by an underscore (ex: bly95s_project 2.pdf)

Schedule + Deadline

Week 1

  • Thurs., Sept 22: Introduce project, discuss context, watch McKay-Lyons video

Week 2

  • Tues., Sept 27: Continue discussion of context, work day
  • Thurs., Sept 29: Work day, desk crits

Week 3

  • Tues., Oct 4: Work day, desk crits
  • Thurs., Oct 6: Small group critique @ beginning of class, work day

Week 4

  • Tues., Oct 11: Mid-Project Critique (bring everything you have)
  • Thurs., Oct 13: Begin drawings and model for presentation

Week 5

  • Tues., Oct 18: Work on presentation materials
  • Thurs., Oct 20: Work on presentation materials

Week 6

  • Tues., Oct 19: Print presentation for review (fit to page on 11″ x 17″ sheet) @ beginning of class
  • Thurs., Oct 21: Project due @ beginning of class (including blog post*) – Final Critique

* Comments to classmates’ blog posts are due by the next class meeting Tues., Oct 27.

Grading Criteria

Project = 30% of final course grade

Link to Grading Criteria

Resources

Photos from ACS Pre-K – Fall 2011

0 Commentsby   |  09.20.11  |  DSGN 242, Project Supplemental Info.

Here are some photos I took during our visit to Abilene Christian School’s Pre-K classes.

The Third & The Seventh

0 Commentsby   |  09.19.11  |  Architecture, Film

I came across this film a couple of years ago. Beautiful cinematography and architecture!

 

 

Renzo Piano’s Expansion at Ronchamp Chapel

0 Commentsby   |  09.16.11  |  Architecture, Reference

The article linked below provides a brief synopsis of Renzo Piano’s expansion to Le Corbusier’s chapel of Notre Dame du Haut, which many consider to be the epitome of modern architecture – a masterpiece. A little closer to home, Piano is currently designing the addition to the Kimbell Art Museum in Fort Worth, which was designed by Louis Kahn and considered to be a masterpiece of modern architecture as well. Piano’s sensitivity to these modern masterpieces is through his understanding of the site and the experience of those visiting these places. Both projects incorporate portions of the building that are below grade (buried) and landscaping to help reduce the visual impact of the structures. Which one is more sensitive given the existing context and “purity” of the sites?

A Grand Opening for Renzo Piano\\\’s Controversial Expansion at Ronchamp Chapel | News | Architectural Record.

Writing Assignment Requirements

0 Commentsby   |  09.15.11  |  Assignments

Design Process and Conclusions Statement:

The intent of this exercise is to assist you in gaining a better understanding and insight into your work. You are to create a blog posting for each project that articulates the process (inspiration, formation and manifestation) you underwent as you carried your inspired idea to a final, tangible product. While this is not an English course, I expect you to be cognizant of proper grammar, spelling, vocabulary and sentence structure. (Please see syllabus for written assignment expectations.)

The writing assignment will be posted to the class blog for review; therefore, it will also be available for your classmates to review. The goal is to create a safe space (the blog) where each student can:

  • Improve writing skills, especially as they relate to design disciplines.
  • Connect current course content, concepts and techniques to personal experiences and real-world applications
  • Encourage dialogue between classmates with thoughtful and constructive responses to the ideas of others.

Posts

Minimum Requirements:

  1. 250-300 words (word count appears below the post editor window after you save the draft).
  2. Content must relate directly to current project, course content and required reading.
  3. Include a hyperlink to an outside source that relates to your writing and/or course content.
  4. Include an image from another source that visually relates and exemplifies the content of your writing. This can be from the hyperlink mentioned above if appropriate.

Related Content Suggestions:

  • What are the project’s goals and objectives? Don’t elaborate or spend too much time on this – assume the audience has a basic understanding of the project.
  • What was your inspiration and how did it meet the project’s goals and objectives?
  • Where there any precedents for your work? Why are they important?
  • What personal experiences do you bring that influenced the work?
  • What are major concepts/themes in the work?
  • What were the conflicts and difficulties present during the process? How did you resolve those – or did you?
  • What questions arose during the process? How did you answer – or did you?
  • Why is your response relevant to the project’s goals and objectives?
  • Incorporate relevant information from reading and research
  • Evaluate the success of the final product

Comments

Minimum Requirements:

  1. Elaboration and response, not just simple agreement. For example:
    Comment A: “I agree. This is a good idea.” = ZERO CREDIT
    Comment B: “I agree. It makes me think of…” = POINT
  2. Charitable tone
  3. On Topic

DSGN 242: Project 2 – Environment for Children

0 Commentsby   |  09.15.11  |  Assignments, DSGN 242

Overview

In today’s society, more and more children attend some form of preschool or child care before they begin their formal education, which is typically marked by kindergarten. Preschool and kindergarten place much significance on children’s play as a critical developmental tool. (The concept of kindergarten, “child’s garden,” originated in Germany by Fredrich Froebel. This project requires each student to develop a design concept for a single preschool classroom that accommodates 20 three- to five-year-olds. The space needs to facilitate a variety of small group and individual activities, including block-building, sociodramatic play, art, music, science, math, manipulatives (puzzles and games) and quiet reading and writing. These activity areas should be clearly defined by the spatial arrangement and clear pathways need to be provided for children to move from area to area with minimal distraction. Of course, the design needs to meet the needs of children (esp. when considering equipment, furniture and finishes) while providing an inviting and fun learning environment.

Assignment

Part 1: Research

Begin the project by learning about designing for children. In addition to considering the size of your client, which dictates certain dimensional criteria, we also need to consider the effect of color, types of spaces/zones needed and their adjacencies, circulation/pathways, surfaces and storage needs. I have provided a list of resources below to get you started, but please do not feel limited to this list.

Part 2: Observe and Interview

This step is a continuation of the first and will provide first-hand experience of a pre-k classroom environment. Our class will visit Abilene Christian School’s preschool classes providing you the opportunity to see examples of preschool classrooms, observe the children and teachers using the space and talk with them about their likes and dislikes. Click here for the questionnaire.

Part 3: Design an Environment for Children

Using the drawings provided, design an environment for a preschool classroom (20 three- to five-year-olds) taking into consideration insight gained from the observation and interviews. The design should strive to meet the following goals:

  • Visually rich, fun and surprising
  • Provide spaces and surfaces for display of children’s work
  • Provide a variety of settings for work-in-progress
  • Introduce a variety of social setting for small and large groups
  • Make strong connections between the indoors and outdoors (use daylighting as much as possible)
  • Connect spaces to promote communication, orientation and flexible programming and staffing
  • Build in flexibility of space to accommodate evolving teaching practices
  • Create a distinctive and pleasing entrance
  • Eliminate physical barriers and isolation
  • Pay special attention to the scale and height of typical elements such as windows, doors, doorknobs and pulls, sinks, toilets, counters, furnishings, mirrors, steps, shelving and storage, light switches, towel dispensers and other accessories (anthropometrics for children)

The design should include spaces that accommodate the following activities:

  • Group Instruction
  • Group Reading
  • Wet Area (for projects/art)
  • Small Group Area
  • Work Area for Teacher
  • Storage
  • Restroom

Process:

Final Deliverables

Presentation Materials:

  • 18″ x 24″ Drawing Sheet (vellum or quality drawing paper)
    • Furnished floor plan @ 1/4″ = 1′-0″ scale (include electrical symbols and legend)
    • Elevations of all walls @ 1/4″ = 1′-0″ scale (10’ max. ceiling height)
  • 18″ x 24″ Finish Board (foam core)
    • Include all finishes, materials and colors
    • Design concept narrative (detail the implementation of color, choice and convertibility)
  • Include Title Block on each sheet/board that includes (hand lettered on drawing sheets)
    • Preschool Classroom
    • Your name
    • DSGN 242
    • Fall 2011
    • Sheet number (1, 1 of 2, 1/2, etc.)

Process Documentation:

Neatly organize the following process documents in a report binder or folder with your name on it.

  • Photocopies of all sketches/process drawings
  • Completed interview questionnaire

Schedule + Deadline

  • Fri., Sept 16: Project 2 assigned, introduction to designing for children
  • Mon., Sept 19: No Class – Attend Summit and Post to Blog
  • Wed., Sept 21: Observe and interview children and teachers at Abilene Christian School
  • Fri., Sept 23: Ideation, bubble diagrams, design concept development
  • Mon., Sept 26: Design concept development
  • Wed., Sept 28: Furnished floor plan due (can be on trace) – Group critique @ beginning of class, identify material and color and concepts
  • Fri., Sept 30: No Class
  • Mon., Oct 3: Elevations
  • Wed., Oct 5: Elevations, finish selections formalized
  • Fri., Oct 7: Elevations due (can be on trace), Work on presentation drawings + materials
  • Mon., Oct 10: Design process and conclusions statement due (post to blog), Work on presentation drawings + materials
  • Wed., Oct 12: Project due at the beginning of class – Final Critique

Link to Grading Criteria

Resources