FilmFest showcases student creativity

[This week the Learning Studio’s Nathan Driskell contributed a story featured on ACU News that we wanted to share.]

Ten short films representing the work of more than 70 ACU students premiered to a packed Paramount Theatre during ACU’s 18th annual FilmFest gala April 7. The teams behind this year’s submissions included students from 15 different majors from across campus. At the event, awards were given in 11 categories including writing, acting and cinematography.

It was the first time since 2019 the event was held at the historic downtown theater, which made the traditional black-tie gala a first for most in attendance. The pandemic forced changes of venue for the 2020 and 2021 events.

Read the full story on ACU News.

FilmFest premieres student films Under the Stars

[This week the Learning Studio’s Nathan Driskell contributed a story featured on ACU News that we wanted to share.]

In an ordinary year, the Paramount Theatre in downtown Abilene would roll out the red carpet for ACU’s FilmFest Gala, the university’s annual student film competition, now in its 17th year. But this year was, of course, no ordinary one, and so the festival moved outside for ACU’s first-ever FilmFest: Under the Stars.

Last Friday night as the sun set behind the Tower of Light, students and faculty watched this year’s films in the Beauchamp Amphitheatre and cheered award winners in 13 categories for excellence in filmmaking.

Read the full story on ACU News.

Learning Studio helps take Cornerstone, one of the campus’s largest weekly gatherings, virtual for the first time

Cornerstone Spotlights are a tradition. Once a week during the fall semesters, freshmen at ACU have packed into Cullen Auditorium to hear a member of ACU’s faculty give a talk about their respective field of study. The Learning Studio has been intimately involved from the beginning, helping structure, design and film each presentation, and preserving them online for later viewing.

[Watch: What is Cornerstone?]

The talks, called Spotlights, have long represented the largest weekly course gatherings on campus—a polished, professionally produced experience in which virtually every ACU student from the past decade has participated. But auditorium lectures aren’t very pandemic-friendly, so this year the Learning Studio needed to help Cornerstone adapt, without losing the engaging and dynamic ethos that has always characterized the live talks.

In filming sessions before and during the semester, Learning Studio staff filmmakers Matt Maxwell and Nathan Driskell, along with Cornerstone Director Trey Shirley, met with Cornerstone faculty and produced each of their talks direct-to-camera, packaging them with a uniform look and feel that included custom graphics and animations.

Each of this year’s 11 Cornerstone Spotlights is available to watch online.

FilmFest hosts its first live-streamed gala

[This week the Learning Studio’s Nathan Driskell contributed a story to the ACU Today blog that we wanted to share.]

Six short films, representing months of work by more than 50 ACU students, were destined for a Paramount Theatre screening at the ACU FilmFest gala in early April. But when classes moved online in response to the coronavirus pandemic, so did FilmFest.   

On April 23, the gala, which typically draws a full house at the historic Abilene theatre, instead screened online during a specially produced livestream, premiering the year’s student film submissions in the first event of its kind in FilmFest’s 16-year history. The planning began in the Learning Studio, which has worked with FilmFest since 2011, but it soon included the help of staff and faculty members across the university to produce the 90-minute live broadcast.

Read the full story on ACU Today.

An ocean away, documenting a rare discovery on camera

In 2017 Joe Stephenson, who’s a Culp Distinguished Professor of English at ACU, discovered a never-before-seen play from the 1600s in the archives of the Boston Public Library titled The Dutch Lady. Stephenson, who wrote his dissertation on Dutch characters on the English stage, had never seen or heard of the play, and he could find no record of it in any prior scholarly works. He quickly realized he had made a once-in-a-lifetime discovery.

Two years later, Globe Education, a division of Shakespeare’s Globe Theatre, exhibited the play as a performance for the first time as part of its Read Not Dead series, which exhibits rare plays as stripped-down performances with minimal production.

The 2019 reading of The Dutch Lady took place at Gray’s Inn in London, the very place where Shakespeare’s Comedy of Errors was first performed more than 400 years earlier. The Learning Studio’s Kyle Dickson and Nathan Driskell were there to capture footage of the performance and rehearsals, as well as Joe Stephenson’s lecture on his research into the history and suspected provenance of the play. They were also able to conduct on-camera interviews with global experts from The Shakespeare Birthplace Trust and The Shakespeare Institute.

The resulting short video gives audiences both at ACU and around the globe a chance to travel to London with Joe, and to witness a moment that would only ever happen once: the unveiling of a historic play that, in its 400-year existence, had never before been performed by actors in a live setting.